And Now the Floor Is Lava: New Epistemologies in Children’s Playground Rituals


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Cinderella, dressed in yella, went downstairs to kiss a fella…
Miss Susie had a steamboat, the steamboat had a bell…
Tic-tac-toe, three in a row, Barney got shot by a G.I. Joe…


If you attended elementary school in the United States or Canada in the 1990s, there’s a good chance that you heard these rhymes recited by your peers on the blacktop at recess. In fact, you can probably recite the final lines to yourself, decades later, in exactly the intonation in which you first encountered them.

But how exactly are these rhymes, riddles, and rituals collected and disseminated? Why do they stick with us? How can they span such wide geographic regions? And where in the world do they come from? In And Now The Floor Is Lava, H.B. Eshelman not only answers these questions, but explores the relationship between playground knowledge (known in academia as “childlore”) and the oral traditions and folk wisdom that sustained humankind in the millennia before mass media.


H.B. Eshelman is a poet and culture critic who has written extensively on the topic of childlore. She was born and raised in California, and her earlier research was published by the Western States Folklore Society.

 
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